Music for the Piano: A Handbook of Concert and Teaching Material from 1580 to 1952

Seven years in the making, this classic survey of music for the piano is the most comprehensive manual of its kind in English. It achieves a well-rounded treatment of the entire spectrum of the pianistic repertoire, from the pavanes and galliards of Byrd and Gibbons to the bewildering diversity of forms composed today. In a format making for quick and easy reference, it comprises direct and carefully researched brief characterizations of every major work, as well as an enormous number of minor works, composed for the piano by more than 500 composers between 1580 and 1952. The annotations to each piece touch on form, type of fingerwork, degree of difficulty, technical requirements and interpretative treatment, and always include the publisher's name. Critical essays on periods and styles appear where necessary.

No other single publication covers such a wide range of material. Not only the solo piano literature is included, but also works for four hands at one hand and two pianos as well as concertos for piano and orchestra. The selection has many remarkable features, not least of which is a comprehensive view of Latin American music that sends the pianist beyond Villa-Lobos to the works of such lesser-known masters as Bosmans, Paz. Ginastera, Guarnieri and the Castros. In the case of such outstanding composers of keyboard music as Scarlatti, J. S. Bach, Handel, Mendelssohn, Schubert, Schumann, Chopin, Liszt, Debussy and Ravel there is a short section with a separate list of easier compositions, as a guide to the student. The piano outputs of Mozart, Schumann, Chopin, Brahms, Debussy, Ravel and Bartók are listed almost entire. And the numerous lesser-known composers of individual worth included -Portugal's Carlos Seixas, America's Edward MacDowell, Britain's John Ireland, Poland's Karol Szymanowski and many others- help make this manual an almost unfathomable cornucopia for the pianist.

This is an indispensable volume for all performers, teachers and students of the piano, to be referred to constantly throughout a lifetime. "It should be the constant companion of every pianist and teacher," Virgil Thomson. "This book should be an eye-opener for those who seek piano repertory. The best and fullest listing of piano repertory available in English and well set up for quick reference," Catherine Keyes Miller, Librarian, New York Public Library.

Unabridged, slightly corrected republication of the work originally published in 1954 as Volume V of "The Field of Music" Series, under the general editorship of Ernest Hutcheson.

CONTENIDO:

Part I: THE EARLY KEYBOARD MUSIC (Before the Advent of the Pianoforte)
The English Virginalists (c. 1.580-1650)
Later English Composers (Seventeenth and Eighteenth Centuries)
The French Clavecinists
Early Italian Keyboard Music
Spanish Successors to Scarlatti
Early Portuguese Keyboard Music
Early German Keyboard Music (Through J. S. Bach, his sons, and Handel)

Part II: PIANOFORTE MUSIC FROM HA YON TO THE EARLY l'WENTIETH CENTURY ?
Part III: PIANO MUSIC OF THE TWENTIETH CENTURY
Composers in the Continent of Europe, in Great Britain, Israel and Russia.
Composers in the United States (Including foreign-born Residents)
Composers in Latin America (Including foreign-born Residents)

Part IV: ORIGINAL WORKS FOR FOUR HANDS
Music for One Piano - Four Hands
Music for Two Pianos - Four Hands

Part V: MUSIC FOR PIANO AND ORCHESTRA
Music for Solo Piano and Orchestra
Music for Two or More Pianos and Orchestra

APPENDIX
Anthologies of Early Keyboard Music
Some Further Reference Editions of Early Keyboard Music

LIST OF PUBLISHERS
NEW BIOGRAPHICAL APPENDIX
INDEX OF COMPOSERS